There was an error retrieving your Wish Lists. Saint Brigid School Honor Choir Cathedral Choir Cathedral Schola Cantorum Coro Hispano. Preview. Faure is many things: subtle, elegant, graceful, melodic, and haunting, all about in equal measure. 48 / Requiem, Op. It also analyzes reviews to verify trustworthiness. Unable to add item to List. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. Fauré*, Duruflé* - Kiri Te Kanawa, Lucia Popp, Siegmund Nimsgern, The Ambrosian Singers, Philharmonia Orchestra, Andrew Davis - Requiem, Op. Please try again. Files "cleaned" originally Maurice Durufle Requiem . I'm sure the Faure Requiem was probably ahead of its time, yet Durufle fuses Gregorian chant, Medieval & 20th century concepts & every range of human emotion into something profound. Reviewed in the United Kingdom on May 28, 2016. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. durufle_requiem_smc_2020-_walker_notes.pdf: File Size: 3351 kb: File Type: pdf: Download File. Maurice Duruflé's Fauré-inspired Requiem, offered as the coupling, is likewise given in its fully orchestrated version. A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. The Requiem (Duruflé) article is correct: all three versions contain an organ part, which is very difficult indeed in each case. And here he draws upon the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia as well as the full-bodied, intelligent and sensitive voices of singers Bryn Terfel and Cecilia Bartoli as his soloists. My favourite is the Montreal/Dutoit version that generously includes the lovely Pavanne as well as the Pelleas and Melisande suite. 500,000th Hit: November 2006 Reviewed in the United States on January 3, 2008. Difficult to appeciate these works' sublimity, annoyed as I was by having to turn the volume up and down. ) I'm sorry not to be a fan of these French composers - indeed, rarely something French catches my eye, or my ears, as on this occasion. The Requiem, Op. Anchoring the album is the monumental Requiem by Maurice Duruflé, in the rarely-recorded voices with organ version.The Requiem is paired with a cappella motets and spirituals to present a variety of expressions about the power of heaven.. Faure certainly didn't intend these lovely pieces as show-stoppers, but that is what we get here. Listen on Apple Music. This could be the greatest recording of the last century for all I know, but a consistent volume was impossible to achieve with the soft sections so recessed and the loud sections so prominent. Domine Jesu Christe By Maurice Duruflé English Chamber Orchestra , Thomas Allen , Corydon Singers , Matthew Best HIGHLY RECOMMENDED. I couldn't hear two-thirds of the damned thing. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. Reviewed in the United States on January 12, 2020. In paradisum (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Western Church Requiem Mass.It is sung by the choir as the body is being taken out of the church. The artists are wonderful singers, but, the pace of the performance seems too slow and slightly pedestrian. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. Duruflé: Requiem (CD, Album) Deutsche Grammophon, Deutsche Grammophon: 459 365-2, 459 365-2 GH: Europe: 1998: Sell This Version Reviewed in the United Kingdom on July 15, 2011, The singing and playing were both gorgeous. A few light surface marks, disc plays fine. In paradisum (English: "Into paradise") is an antiphon from the traditional Latin liturgy of the Roman Catholic burial service.It is sung by the choir as the body is being taken out of the church. Reviewed in the United Kingdom on May 28, 2016. —Cor anglais 16 22:11, 5 February 2007 (UTC) But 1950 for the version with orchestra is nonsense, isn't it? Reviewed in the United States on January 3, 2008. Complete your Fauré* • Duruflé* • Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus • Judith Blegen, James Morris collection. Reviewed in the United States on June 15, 2000. While this is appropriate at times -- this is, after all, a requiem -- I felt it eventually bogged the performance down. In Paradisum In 1947, Maurice Duruflé was already working on a suite of pieces for organ based on the Gregorian chants for the requiem mass (the service for the dead), when he was commissioned by his publisher Durand to write a large-scale work based on those texts. 2:15 PREVIEW Requiem: De Profundis. The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. Sometimes the orchestra eclipsed the solo voices. Atma: ACD22779. Whether it's choirs that don't know how to blend, an orchestra that doesn't know how to stay together, or any combination of choirs and instrumentalists that don't know how to play in tune, this gorgeous piece in its full orchestral version does not yet appear to have received the treatment it deserves. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. You can play this CD after a heavy meal, so that it will slowly drift you into a pleasant nap...but not for long, as some fortissimo will come along, but the music will prove unable to retain your interest and you'll end up napping again. For those of you unfamiliar with this work, there are literally dozens of more attractive recordings of this work. A Refreshingly Elegant Performing Stance on Two Important Requiems, Reviewed in the United States on October 9, 2005. Chung did much better with Messaien's Turangalîla Symphony, a recording that the composer himself lauded. Faure's sense of "celebration" of life is eclipsed by solemnity that I find tedious. The major problem is the two big "show-stopper" numbers, the "Pie Jesu" for Bartoli and the "Libera me" for Terfel. I'm sorry not to be a fan of these French composers - indeed, rarely something French catches my eye, or my ears, as on this occasion. Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. Fauré / Duruflé: Requiem I really wanted to like this. Good Durufle. My favourite is the Montreal/Dutoit version that generously includes the lovely Pavanne as well as the Pelleas and Melisande suite. Reviewed in the United States on June 15, 2000. because of three vital components: Bryn Terfel, whose dark timbre resonants in both Requiems, the equally as impressive Cecila Bartoli, and finally, the chorus of the dell'Accademia Nazionale di Santa Cecilia. And here he draws upon the Chorus and Orchestra of the Accademia Nazionale di Santa Cecilia as well as the full-bodied, intelligent and sensitive voices of singers Bryn Terfel and Cecilia Bartoli as his soloists. Myung-Whun Chung has opted to record the full orchestra/full mixed chorus versions of these two works usually heard in the pared-down versions for church settings, and in doing so he unveils even more mysteries than one would think possible. Duruflé: Requiem, Mass, "Cum Jubilo", Notre Pere Voices of Ascension Chorus Classical 1995; Listen on Apple Music. Myung-Whun Chung has opted to record the full orchestra/full mixed chorus versions of these two works usually heard in the pared-down versions for church settings, and in doing so he unveils even more mysteries than one would think possible. The text of the In paradisum — with or without the Gregorian melody itself — is sometimes included in musical settings of the Requiem Mass, such as those by Gabriel Fauré and Maurice Duruflé She has a great voice certainly, but this music would be better suited to a more restrained performance. Chung adopts a hushed and reverential tone throughout the piece. Creation Date: November 15, 2000: 2,500,000th Hit: January 17, 2010. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. But Bartoli's style of singing does not lend itself to the gentler solo passage in this piece, and the rest is simply lacking. Reviewed in the United States on December 10, 2013, Whie listeners have, at their disposal, an embarrassment of riches where recordings of these two masterpieces are concerned, this particular coupling remains near the top of my personal list(my desert island CD of the Requiems is Andrew Davis. ) There's a problem loading this menu right now. Faure certainly didn't intend these lovely pieces as show-stoppers, but that is what we get here. Reviewed in the United States on January 12, 2020. Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. Cecilia Bartoli / Bryn Terfel // ( Coro* E Orchestra Dell'Accademia Nazionale Di Santa Cecilia) / Myung-Whun Chung - In Paradisum // Fauré . But one could learn to live with her interpretation, I suppose. By Jean-Jacques Gruenwald Jeremy Backhouse & Vasari Singers. Fauré & Duruflé: Requiems. However, the balance between them could have been better. San Francisco, CA In short, two performances to treasure. In revisiting this fine effort conducted by Chung, I just wanted to add that unlike what my fellow reviewer hears, Terfel gives me the notion of Jacques Jansen, a rich, vibrant, demonstrative French baritone of old who sang the Faure many times. French composer Maurice Duruflé's Requiem (Opus 9) for chorus and organ will be featured at the Northwest Choral Society's ("NWCS") concert, "In … There's a problem loading this menu right now. 35:23 - IX. DG's recording is one of the best digital CDs I've heard from them. She has a great voice certainly, but this music would be better suited to a more restrained performance. 9 at Discogs. It is very hard to describe just how monumentally wrong-headed his approach is--the proverbial bull in a china shop. < Slight alternate cover. The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. You can still see all customer reviews for the product. Eventually, per his self-criticism, he wrote three versions of the score, and for flexibility in the orchestral version, he … Creatively & emotionally, Durufle created something so unique, & with such range of emotion, that the Faure piece just never quite matches it. I have 17 versions and this I rate at No, 5. The real problem is Terfel, who belts out "Libera me" as though he were leaning into a Puccini solo in full force. It has inspired a large number of compositions, including settings by Mozart, Berlioz, Donizetti, Verdi, Bruckner, Dvořák, Fauré and Duruflé.Originally, such compositions were meant to be performed in liturgical service, with monophonic chant. Difficult to appeciate these works' sublimity, annoyed as I was by having to turn the volume up and down. For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. I'm sure the Faure Requiem was probably ahead of its time, yet Durufle fuses Gregorian chant, Medieval & 20th century concepts & every range of human emotion into something profound. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Top subscription boxes – right to your door, BARTOLI / TERFEL / ST CECILIA ACADEMY ORCH / CHUNG, © 1996-2020, Amazon.com, Inc. or its affiliates. 9: III. Sadly, this recording is no exception. Bartoli's solo is beautiful in a show-offy self conscious sort of way. Both eschew the “Dies irae”; both include a “Pie Jesu” (for soloist), “Libera me,” and “In paradisum”; both use a baritone soloist for the “Offertory” and “Libera me.” Listen to Faure: Requiem & Durufle: Requiem by Atlanta Symphony Chorus, Atlanta Symphony Orchestra, James Morris, Judith Blegen & Robert Shaw on Apple Music. Valerie the music teacher, Reviewed in the United Kingdom on May 14, 2015, Arrived in time - music as you would expect, Reviewed in the United Kingdom on February 14, 2016, The CD does not seem to have the full reuiem. Try as I might, I cannot listen to it. Discover releases, reviews, track listings, recommendations, and more about Fauré* • Duruflé* • Robert Shaw, Atlanta Symphony Orchestra & Atlanta Symphony Chorus • Judith Blegen, James Morris - Requiem, Op. because of three vital components: Bryn Terfel, whose dark timbre resonants in both Requiems, the equally as impressive Cecila Bartoli, and finally, the chorus of the dell'Accademia Nazionale di Santa Cecilia. I'm afraid there's little alternative but to listen to Mozart's Requiem, when you feel the passing of time and the proximity of death; Verdi's version is wilder but still good, however I prefer Mozart's gentler musical idiom. Sadly, this recording is no exception. Reviewed in the United States on January 9, 2009. Disabling it will result in some disabled or missing features. Enjoy millions of the latest Android apps, games, music, movies, TV, books, magazines & more. In short, two performances to treasure. PDF Score. Please try again. Here is a "clickable" Table of the available Midi Files for this Work (this version has an "orchestral" backing; if you want an "organ" version, it's here).Note that, for the most part, where a Voice is, in the Work, split into two, the relevant Files have been correspondingly divided. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet he is also keenly sensitive to the agnostic composer's essentially sensuous textures (listen to the dark amber interweaving of inner string lines in the Offertorium), thereby escaping the potential sentimentality that sometimes pits Fauré's vision unfavorably against the robust fire and fury of Verdi's Requiem. This recording is too seldom any of those things for very long. The patient serenity of its culminating In Paradisum seems to offer a harmony of the spheres for our age of anxiety. I'm afraid there's little alternative but to listen to Mozart's Requiem, when you feel the passing of time and the proximity of death; Verdi's version is wilder but still good, however I prefer Mozart's gentler musical idiom. St. Mary's Cathedral Choir Program. Chung did much better with Messaien's Turangalîla Symphony, a recording that the composer himself lauded. DG's recording is one of the best digital CDs I've heard from them. This recording is too seldom any of those things for very long. --Thomas May Chung knows the French repertoire well, having been associated with French Opera in France for many seasons. Chung knows the French repertoire well, having been associated with French Opera in France for many seasons. By Jean-Jacques ... Requiem: In Paradisum. 1,000,000th Hit: January 4, 2008. The Music for the Requiem Mass is any music that accompanies the Requiem, a Mass in the Catholic Church for the deceased. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. Requiem, Op. Our payment security system encrypts your information during transmission. 2009 Preview SONG TIME Requiem: Tu Es Petrus. Though soloists appear in only six out of 16 movements in all, having star singers certainly adds to the attractions, when both Cecilia Bartoli and Bryn Terfel sing with fervour, bringing out the word-meaning dramatically to defy any idea that these are just sweetly reflective pieces. Although Duruflé denied it, his Requiem certainly seems as if it were modeled on Fauré’s famous counterpart. Good Durufle. Choirs. Maurice Duruflé completed his Requiem in 1947, although he had accepted a commission for this work in 1941 by the collaborationist Vichy Regime in France. 48 / Requiem, Op. Reviewed in the United States on October 6, 2013, Reviewed in the United Kingdom on March 15, 2016. This page works best with JavaScript. In this regard, Chung's choice of soloists is ideal. For those of you familiar with Faure, you may want to hear Terfel's performance once for its shock value, but this Requiem is most likely not going to appeal to you for very long, unless, of course, you are a fan of the Ethel Merman approach to this repertoire. The Requiem was composed in 1947, and if I am not mistaken, the orchestral version is the original one. Duruflé: Requiem (CD, Album) Deutsche Grammophon, Deutsche Grammophon: 459 365-2, 459 365-2 GH: Europe: 1998: Sell This Version In Paradisum 3:36: 8 Cantique de Jean Racine By Gabriel Fauré - Trinity College Choir, Cambridge, London Musici & Richard Marlow 4:57: Quatre Motets By Maurice Duruflé - Trinity College Choir, Cambridge, London Musici & Richard Marlow 8:25: 9 Ubi caritas 2:31: 10 ... (Fauré Requiem) and (P) 1990 Conifer Records Limited; In revisiting this fine effort conducted by Chung, I just wanted to add that unlike what my fellow reviewer hears, Terfel gives me the notion of Jacques Jansen, a rich, vibrant, demonstrative French baritone of old who sang the Faure many times. Cecilia Bartoli's rendition of the Pie Jesu will stop you in your tracks (simply one of the most achingly beautiful examples of her artistry), while Bryn Terfel uses the rich resonance of his baritone to powerful effect. Cecilia Bartoli / Bryn Terfel // ( Coro* E Orchestra Dell'Accademia Nazionale Di Santa Cecilia) / Myung-Whun Chung - In Paradisum // Fauré . Top subscription boxes – right to your door, BARTOLI / TERFEL / ST CECILIA ACADEMY ORCH / CHUNG, © 1996-2020, Amazon.com, Inc. or its affiliates. Check out Duruflé: Requiem - In paradisum by Orchestra dell'Accademia Nazionale di Santa Cecilia & Myung-Whun Chung & Coro dell'Accademia Nazionale di Santa Cecilia & Roberto Gabbiani & Daniele Rossi on Amazon Music. Anytime, anywhere, across your devices. --Thomas May. Maurice Duruflé's Fauré-inspired Requiem, offered as the coupling, is likewise given in its fully orchestrated version. I couldn't hear two-thirds of the damned thing. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant.The Requiem was first published in 1948 by Durand in an organ version. Jonathan Oldengarm (organ), Philippe Sly (baritone), Julie Boulianne (mezzo-soprano), Elinor Frey (cello) Choir of the Church of St. Andrew and St. Paul, Les Petits Chanteurs du Mont-Royal, Jean-Sébastien Vallée This is Faure with star power, and the result is painful, to my ears anyway. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It makes an apt and generous coupling to have the Faure Requiem alongside the closely related Durufle work. A revisit because more stars need to show, Reviewed in the United States on April 27, 2001. His Arkel set the standard for Debussyan chanson, too, and in considering that, this Terfel performance seems well within the French tradition and not Puccinian verismo at all. We work hard to protect your security and privacy. 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